Las óleos de todo Arthur Hughes
ID Image  Painting (From A to Z)       Details 
2325  
Arthur Hughes, April Love
  		 April Love   1855-56 Tate Gallery, London
28258  
Arthur Hughes, April Love
  		 April Love   1855-6 Oil on canvas 88.9 x 49.5cm (35 x 19 1/2 in) Tate Gallery London (mk63)
53443  
Arthur Hughes, April Love
  		 April Love   mk231 88.9x49.5cm 1856
51798  
Arthur Hughes, Enid and Geraint
  		 Enid and Geraint   mk221 1862 Oil on canvas 26x37.5cm
2326  
Arthur Hughes, Gareth Helps Lyonors and Overthrows the Red Knight
  		 Gareth Helps Lyonors and Overthrows the Red Knight  
28380  
Arthur Hughes, Home from Sea
  		 Home from Sea   1856-62 Oil on canvas 50.8 x 65.1 cm (20 x 25 5/8 in) Ashmolean Museum Oxford (mk63)
53425  
Arthur Hughes, Ophelia
  		 Ophelia   mk231 1852 Oil on canvas 68.6x123.8cm
82110  
Arthur Hughes, Ophelia
  		 Ophelia   Date ca. 1851 - 53 Medium oil on panel Dimensions 27 x 48 3-4 in cjr
92568  
Arthur Hughes, Ophelia
  		 Ophelia   Date c. 1863 - 64 Medium oil on canvas TTD
79949  
Arthur Hughes, Sailing Signal Gun
  		 Sailing Signal Gun   English: The Sailing Signal Gun Date 1880-81 cyf
25417  
Arthur Hughes, Sweet Lavender (mk37)
  		 Sweet Lavender (mk37)   oil on panel 22 1/2x12 1/8in
28262  
Arthur Hughes, The Long Engagement
  		 The Long Engagement   1853-9 Oil on canvas 105.4 x 52.1 cm (41 1/2 x 20 1/2in) Birmingham City Museum and Art Gallery (mk63)
45942  
Arthur Hughes, The Quest of the Holy Grail
  		 The Quest of the Holy Grail   mk178 1870 oils on linen 113x167.6cm
79196  
Arthur Hughes, The Sailing Signal Gun
  		 The Sailing Signal Gun   Date 1880-81 cyf
Arthur Hughes
1832-1915 British Arthur Hughes Gallery Hughes was born in London. His best-known paintings are April Love and The Long Engagement, both of which depict troubled couples contemplating the transience of love and beauty. They were inspired by John Everett Millais's earlier "couple" paintings but place far greater emphasis on the pathos of human inability to maintain the freshness of youthful feeling in comparison to the regenerative power of nature. Like Millais, Hughes also painted an Ophelia and illustrated Keats's poem The Eve of St. Agnes. Hughes's version of the latter is in the form of a secular triptych, a technique he repeated for scenes from Shakespeare's As You Like It. His works are noted for their magical, glowing colouring and delicate draughtsmanship. Hughes was in close contact with the writer George MacDonald and illustrated some of his books as well as producing numerous illustrations for Norman MacLeod's monthly magazine, Good Words. Hughes died in Kew Green, London, leaving about 700 known paintings and drawings, along with over 750 book illustrations.



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